The Revolutionary Act of Enjoying Tea and Bannock

Image courtesy of the ArQuives.

The poster you see above is simple yet elegant in many ways. Firstly, the aesthetic is basic – it’s clearly handwritten in marker. The text is a little slanted, the illustrated Thunderbird at the top slightly askance. It’s in black and white – straight to the point. Here is the thing we are doing, here is when and where it is, here is who is hosting it.

But there’s something a little deeper to it than just the look. This poster is an invitation to a “Tea and Bannock” social gathering hosted by an Indigenous-run LGBTQ+ group local to Tkaron:to (Toronto). Tea and bannock – a simple but inviting menu. Tea is almost ubiquitous all over the world. People have been boiling leaves in water for many centuries, even as far back as 2700 BC, as legend tells. Bannock, on the contrary, is a food specific to Indigenous people of Turtle Island (North America). It came here from elsewhere, but many Indigenous people agree that bannock is an Indigenous food. In concert, however, these two edible items construe a different meaning that reflects the nature of Indigenous gatherings and the idea that community and activism don’t always have to involve grandeur and festivity. Sometimes, you can get together with your queer Native friends and just have some tea and bread, and that’s all you need.

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Tender Resistance and the Violent Times of the AIDS Crisis

  • Poster reading "Good Health for Gay Men worth hanging on to" with a black and white image of two masculine figures hugging in a window sill
  • Poster that reads "Condoms and Confidence... the perfect combination. Always Use Safe Sex" with a black and white image of a man lying in bed with white linen sheets
  • Poster that reads "Take Control...of your life. Regular tests help" with a black and white image of a man in a vest holding his genitals.

Within the archival collections of The ArQuives are ephemera and objects that document queer history, especially those primarily produced in or concerning Canada. Such queer archives preserve personal papers, photographs, periodicals, posters, and pins in order to, as scholar Ann Cvetkovich describes, “sustain a queer future by reminding us of our queer pasts” (35). Walking amongst collected t-shirts, trophies, tapes, toys, and titles, we were drawn to a magenta poster cabinet. We found a series of three (3) posters produced by the AIDS Committee Winnipeg Gay/Lesbian Resource Centre atop of Folder 95 in the 1991-1992 drawer. Each poster features a photograph alongside a slogan with six square informational panels on the backside. In what follows, we look closer to consider their form, tenderness, and context.

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